“Revered like rock stars within the early music scene” (New York Times), Quicksilver brings together today’s top North American historically-informed performers. Described as “drop dead gorgeous with a wonderful interplay of timbres” (Early Music America) and praised as “irresistible” (Fanfare Magazine), Quicksilver vibrantly explores the rich chamber music repertoire from the early modern period to the High Baroque.
The ensemble has been featured at numerous music series and prestigious festivals, receiving critical acclaim, standing ovations and repeat invitations. Recent and upcoming appearances include Carnegie Hall, Mostly Mozart Festival at Lincoln Center, Concerts from the Library of Congress, CU Presents Artist Series (Colorado), Toronto Consort Series, the Miller Theatre at Columbia University, Da Camera Society (Los Angeles), San Diego Early Music Society, Boston Early Music Festival, Vancouver Early Music Festival, Berkeley Festival and Exhibition, Early Music Now (Milwaukee), Chamber Music Tulsa, Indianapolis Early Music Festival, San Francisco Early Music Society, Miami Bach Society, Madison Early Music Festival, Dumbarton Oaks Concert Series (Washington, DC), Houston Early Music, Early Music Hawaii and Music Before 1800. Quicksilver’s debut recording, Stile Moderno was described as “Breakthrough of the Year . . . breathtaking” (Huffington Post) and “convincing . . . terrific” (Early Music -Oxford Journal).
Quicksilver’s latest recording, Fantasticus has been named one of The New Yorker’s Ten Notable Recordings of 2014, praised as “Fantasticus, indeed” (Gramophone) and a “recommended purchase” (Osterreichische Musikzeitschrift/Austrian Music Journal). Quicksilver’s forthcoming recording, The (very) First Viennese School, will be released next season.
UPDATED JULY 2019. PLEASE DESTROY ALL PREVIOUS VERSIONS.